Digitally immortalizing our dead

July 4, 2007

picture-2.png Listening to your favorite song on the radio is always more pleasurable than on a CD player in the car because you’re tapping into the collective versus solitude listening experience. I’d say the logic applies to sharing memories. It’s always more enriching to collectively reminiscence. Especially after someone dies because memory has the power to immortalize the dead. On a new social networking site called Respectance.com I created an online tribute complete with my mother’s name, photo, dates of life 1948 – 2002 and a few words on how she spent the dash. When I completed my tribute, I realized that now my mother has her own web page that I can visit and add memories, photos, slideshows and videos to upon inspiration. I felt a ping of excitement when her photograph rose to the top of recent tributes. My new web page transmuted my mother from anonymity. Techcrunch.com called Respectance.com “Myspace for the dead”.

I’m in the midst of researching how technology is reinventing memorial rituals for my book “Parting Ways” and this really strikes me as a way to keep our memories alive. I like the light, heavenly feel of Respectance. I’ve visited other web sites that have succeeded in carving out a sacred space online for memorializing such as Legacy.com, virtual-memorials.com, virtualmemorialsonline.com, memory-of.com, and rememberedforever.com. Each of the web sites offer a variety of tools and experiences for remembering a life. You can create a virtual headstone, light a virtual candle, send a message to the dead and design life tribute slideshows and timelines. Some of them feel more like visiting a virtual cemetery or funeral home. Others remind me of standing in front of a memorial wall. It’s a great way to get in touch with what’s often intangible–feelings of loss. Memories are salve for grief and the healing power of the salve increases when they’re shared. Geographical boundaries no longer limit us from spending time in reflection at a memorial site.

What’s even more unique about these online memorials versus the ones in the cemetery are they shed light on how the person spent their dash. Here is the poem called “Dash” by Linda Ellis that I heard at a group memorial service last November.

I read of a man who stood to speak at the funeral of a friend.
He referred to the date on her tombstone from the beginning to the end.
He noted that first came the date of her birth
And spoke the following date with tears
But he said what mattered most of all was the dash between those years.
For the dash represents all the time that she spent alive on earth
And now only those who loved her know what that little line is worth.
For it matters not how much we own. The cars, the house, the cash
What matters is how we live and learn and how we spend our dash…


Lights, Camera, Action Bubbe

June 1, 2007

Your show will go on long after your last breath if you capture your wisdom, your history and your traditions on digital video now like the brilliant senior525409946_98b7800795.jpgs turning the video camera on themselves for public broadcast. Last week in an interview with Lynn Isenberg, End of Life Celebration Planner and author of “The Funeral Planner”, pointed me to a recent Wall Street Journal article “Using YouTube for Posterity” about the fastest growing segment of the population, the 65 and older folks, starring on YouTube.

One of the more famous series is “Feed Me Bubbe” of Bayla “Bubbe” Sher cooking chicken soup while sharing stories of her youth. Bubbe, the Yiddish word for grandmother, and her 23-year-old grandson, Avrom Honig, came up with the idea as a way to preserve their family’s recipes and spend time together. The series resembles the Food Network-style cooking show.

I’ve spent many hours with people at the end of their lives while researching my book “Parting Ways”. I’ve learned building and preserving memories sooth the final passage for the soon to be departed and the survivors. So, I applaud the seniors calling on the younger folks to help them record and upload these precious clips to YouTube. Yet, perhaps more rewarding for these seniors is the behind the scenes inter-generational conversation and relationship that can ward-off isolation and meaninglessness often felt in the later years. Another YouTube star is Paul Gordon, a housebound 92-year-old, playing a few jazz numbers on the piano and then sharing his and the piano’s history.

These episodes, which are in effect lessons for the young, remind me of “My Life” the 1993 movie. Michael Keaton plays a young father, with terminal cancer and an unborn son on the way, who gets in front of a video camera to teach his son how to shave, how to jump start a car, how to slam dunk and how to deal with love.

For my book research, I’ve been following a life review guide interviewing hospice patients about their life from birth to the present. The video interview is then synthesized with a chronological montage of photos and married to music from different eras of their lives.

I think these YouTube performances add an entertaining dimension to the video interview. The YouTube seniors follow the advice “Show, don’t tell,” that we as journalists strive to achieve in chronicling life. Bubbe cooking recipes in her own kitchen capture her essence and customs that make up family history. The video interview can be conducted virtually anywhere such as filming dad or grandma leading a walking tour through his or her favorite garden or golf course. This day trip creates a new memory of returning to a favorite place while dynamically recording the reminiscence.

Elizabeth Vega, a journalist and life review guide in my book, says the Aztecs believed you die three deaths: one when your heart stops, the second when you’re buried and third when everyone who can remember you passes on. I’d say the brave stars of YouTube will live on for many generations in their own family and the minds of their audience.


Lifelogging: A New Era of Digital Memories

May 28, 2007

Gordon BellThis week, I began chronicling my around- the-world backpacking trip at OurStory.com, a social networking web site designed to animate your life experiences on a visually stimulating timeline logged with your photographs and videos. I plugged in my birth, engagement and wedding day story complemented with pictures. Trolling through my digital photo albums made me realize that these images needed my voice, my words and my emotions to tell the whole story. After showing my husband the timeline and reading the story of our wedding and engagement aloud to him, tears welled in my eyes. Logging my memories gave me an unexpected sense of achievement, now my memories won’t fade or worse vanish with age. I recognize the importance of OurStory especially after spending time with people in the culminating hours of their lives while researching my book “Parting Ways” and in my own meandering personal experiences.

This foray into transferring my experiences into digital memories was homework before interviewing Andy Halliday, the CEO of OurStory for my book. I also spent an evening reading the stories of his life beginning with his birth to the recent launch of OurStory last year. His extensive profile connected to the timelines of his family members inspired me.

Spending time on the site reminded me of lounging on my cousin’s living room couch reminiscing and catching up. OurStory has privacy controls so that you don’t have to show the whole world your life. Some of my stories are public and others are private. The site instantly struck me as a place I’d like to remain connected to over my lifetime. The “Question Sets”, a bank of evocative questions, triggered vivid memories from all stages of my life, even as early as three years old. I think the questions could be used to prompt children to engage their parents and grandparents in interviews about family history. In this case, technology stimulates a dynamic inter-generational conversation and maybe even a project.

My father died of cancer when he was 37 and the day we buried his body, we also buried his life story. I’m haunted by so many unanswered questions about his life. When my mother was diagnosed with cancer 14 years later, I swore not to make the same mistake. By then, I was a journalist trained in the art of interviewing and chronicling everyday life. I used an audio recorder and video camera to capture my mother’s life story in her words. I asked her every conceivable question my brain could generate in an effort to make sure she didn’t leave this world and me with unanswered questions. Our interviews became a place where we both came to talk openly and honestly about her past, our past, the present, and make preparations for her departure and my future.

Although, I didn’t know it at the time, I engaged her in a life review. Robert Butler, renowned gerontologist and Pulitzer Prize-winning author of “Why Survive? Being Old in America”, describes Life Review as “a personal process by which a person evaluates his or her life as it nears its end. This spontaneous psychological event is seen especially when one is confronted by death. The overall benefit of a life review is that it can engender hard-won serenity, a philosophical acceptance of what has occurred in the past, and wisdom,” Butler said. If a life review is shared with children and grandchildren, the person is able to “bequeath his or her intellectual and spiritual knowledge and leave memories in the minds of others.”

“That’s really at the heart of what the value proposition of OurStory at its founding was to create a better and more fluid conversation around life and important subjects among the family while you are still alive, instead of the drivel we normally talk about; some context to say the things you wanted to say and to reflect deeply about what you’ve experienced and what you’ve learned from that,” Andy Halliday said when talking about the evolution of OurStory. The questions and tools on OurStory would have served as a resourceful guide to synthesizing our interviews, her words with photographs on a timeline and ultimately could’ve been published into a keepsake hardbound book. She loved organizing our photos into albums and even indexed all the photo negatives to store in our bank safety deposit box. I know she would’ve relished collaborating with me on an OurStory timeline.
OurStory Timeline

So, I began to wonder how technology has reinvented the way we tell our life stories. I posed the question to Halliday. “Historically, storytelling was easily rehearsed and memorized by successive generations because the village was together and you would be able to hear the same story, over and over and over as it was told over years,” Halliday said. “So then you would remember the story that your grandfather told around the campfire and you would tell that story about that ancestor to your children.

“There was a tighter concentration of transmittal whereas today we are very much more distributed and families dissolve in effect, and they go different ways and there’s not that place where storytelling occurs anymore in just oral tradition. “Where is the oral tradition? Especially in families where there is hardly even a family dinner table anymore. So technology is in effect creating those not geographically bounded connections again so that stories can be told remotely, at the same time recording them so they are easier to repeat, rehearse and refer to. Things blew a part so the oral tradition was lost but now technology has a potential for reconnecting and recreating an oral tradition of sorts that can survive generation to generation.”

Over the past year, I’ve spent many hours on interviews with a life review guide and cameraman video recording people at the end of their lives reflecting on their family histories, birth stories, love stories, rites of passage, service in the military, career paths, first homes, mistakes made, regrets, spiritual journeys and lessons learned for posterity. Depending on the person’s mental agility, some of the episodes shared are sensory-rich with details, as if the person is reliving the moment, while other reminiscences are muddled.

I’ve also attended a life review interview where an entire family (three generations) gathered around their father just days before his death. Donna, a life review interviewer, began by asking the father when and where he was born. The red light blinked on both digital video cameras propped up on a tripods in the bedroom. After three minutes of silence in the room and the entire family leaning their ears toward the deathbed, the father said in a voice a few decibels above a whisper “Idaho”. I looked at his sons and grandson from out of state and realized they’d gathered to listen and record their patriarch’s story too late. The microphone attached to the father’s pajamas lapel couldn’t even capture his voice over the buzz of the electric blanket. My eyes fell on the bald, gaunt man withered in his hospital bed. I imagined his life story trapped inside that body like a locked treasure chest or vault that we could not unlock. We couldn’t crack the code. We didn’t have the key. He could no longer speak. His family scrambled around the cameraman asking him to film their reflections of him. He obliged but their father’s story vanished with his last breath a few days later. I knew exactly how they felt.

I found a radical solution to lost memories in this week’s New Yorker called Remember When? Lifelogging is just as it sounds a lifelong project to digitally record every interaction, transaction, conversation, thought and emotion while tracking the location, date and time. Sound a bit too SCI-FI, out of our reach, over the top and obsessive. Gordon Bell, a 72-year-old researcher at Microsoft and early architect of networking supercomputers now called the Internet, is engaged in a lifelogging experiment.

For nearly three years, Bell has walked around with a “SenseCam”a small camera, worn around his neck that “passively takes wide-angle pictures without user intervention.” He uses a digital audio recorder to collect his thoughts and or conversations.

SenseCam viewer

In 1998, he created a digital archive of his life by scanning every piece of paper and artifact collected including the papers in his file cabinets, memos, books in his library, books he’s authored, his collection of family photo albums and home movies. His life is now entirely paperless so nothing will be lost, thrown out or burned in a fire. Bell found it difficult to wade through the sea of digital data. He eventually design MyLifeBits, a Microsoft program that stores “everything” in a digital archive cataloging with time, dates, maps and other search options for easy access. It looks similar to the organizing principles on OurStory.

The digital memories era has dawned with tiny digital cameras, video cameras and camera phones that record voice, video and images to capture our live real time interactions with the world. I just returned from a scuba dive trip in Maui, where my husband and I dove some beautiful sites called the Cathedrals off the coast of Lanai, and our dive master happened to focus a digital video camera on us while we explored below the ocean surface and serendipitously met and swam with a pod of about 60 spinner dolphins. When I began my timeline at OurStory this week, I asked my husband to call the dive master and get that valuable footage. “I want to include it in the timeline of our lives,” I said.

We have no excuse to have no digital memories of our lives. We don’t have to go to the extreme as Bell, but one day his lifelogging project will more than likely be the norm. Technology has made it easily accessible and cheap to digitally record our life. In an article titled A Digital Life, Bell and his partner, Jim Gemmel say, “Perhaps most important, digital memories can enable all people to tell their life stories to their descendants in a compelling, detailed fashion that until now has been reserved solely for the rich and famous.”